Venues are in Auckland, Aotearoa (New Zealand) unless otherwise stated.
Solo and Collaborative Shows
2008
Make History Poverty, in collaboration with Ralph Paine, Gambia Castle, Auckland
Uprising / Downrising,
Upadajac / Powstajac
Kordegada, Warsaw, Poland
2007
Earth Works, The Physics Room, Christchurch
Black Market Next To My Name, Gambia Castle
2006
Still Life With Still Life, Sue Crockford Gallery
Window Shopping In Brick City, Window Gallery, University of Auckland
Weapons Of Mass Creation, Special Gallery
2004
Take Me To Your Dealer, Sue Crockford Gallery
Mythopoeia - There And Back Again, A solo project for The New Zealand Film Archive - Mediaplex, as part of the Wellington City Gallery's Prospect Survey Show, Wellington
MOMMEA - Museum Of Modern Middle Earth Art, Hamish McKay Gallery, Wellington
Whitefella Jump Up! Get Down!, Mori Gallery, Sydney
Industrial Light & Magic, Rm103, 6 week - Studio Project Space, in collaboration with Sriwhana Spong
2003
Brick City, Recent photography from Beijing, Starkwhite Gallery, Auckland & Blue Oyster Gallery, Dunedin
Hello Again Australia: A Brief Pre-History of My Sydney Biennale, Mori Gallery, Sydney
Malone@artspace, ARTSPACE
Window, performance series, Monthly, April – September, Sue Crockford Gallery
Roll Call, in collaboration with Fiona Jack, Platform Gallery, Melbourne
2001
UnArcade, Bunny window boxes, La Gonda Arcade, K-Rd
Untitled, 1967, American Express
2000
Money For Nothing, Arch Hill Gallery
Spaghetti Dharma, Hamish McKay Gallery, Wellington, in collaboration with Ronnie van Hout & L. Budd
1999
NEWS , China Art Objects Galleries, Los Angeles
Why Not Sneeze?, Experimental Art Foundation, Adelaide, Australia
Undisclosed Things, Ivan Anthony Gallery, in collaboration with L.Budd
California Uber Alles, Physics Room & The High St Project, Christchurch,
with A D Schierning
Ad Infinitum, Fiat Lux Gallery
1998
33rpm, rm3 Gallery
Plans of the Apes, Ramp Gallery, The Waikato Polytech, Hamilton
1997
I took it all and it did nothing, Honey-moon Suite, Dunedin
Work for the Asian Community, Physics Room Christchurch
Gondwanaland, Side-On Studio, Sydney
Kum Of Sum Yung Gai, TESTSTRIP, in collaboration with Denise Kum
1996
Change The Script, TESTSTRIP
Guggenheim, for The Concrete Deal public art project,
James Smith Carpark, Wellington
Fiat Lux (Asian Driver), Fiat Lux Gallery
1995
Untitled Conspiracy Theory, (Window Gallery) TESTSTRIP
Emergency Fu, in collaboration with Saskia Leek,
High Street Project, Christchurch
Or, Video Arcade, TESTSTRIP
1994
Three Hundred Years Hence, Docklands Office Squat, London
1992
The Artist as Criminal, TESTSTRIP
Round Four, in collaboration with Stephen Zepke, Michael Harrison and Dale Major, George Fraser Gallery (then part of ARTSPACE)
Rrelish, in collaboration with Martin Poppelwell
George Fraser Gallery (then part of ARTSPACE)
1991
Modern Show, in collaboration with Martin Poppelwell, Language School Galle y
Group Shows
Forthcoming;
2008
Guangzhou Triennale, curated
Kordegarda in Roma
2007
No Chinatown, in collaboration with The Long March and Kah Bee Chow, for the Auckland Triennial, curated by Victoria Lynn
2006
TransVersa, curated by Danae Mossman and Zara Stanhope Galeria Metropolitana, for South Project, Santiago, Chile
SB2006, Singapore Biennale, curated by Fumio Nanjo, Roger McDonald, Sharmini Pereira, Eugene Tan, Singapore
SCAPE, curated by Susanne Jaschko and Natasha Conland, Art and Industry Biennale Trust, Christchurch
Local Transit, curated by Christian Rattemeyer and Brian Butler, Artists Space, New York City
Phoenix, curated by Linda Tyler, Gus Fischer Gallery
High Tide, curated by Simon Reese and Magda Kardaz, Vilnius Centre for Contemporary Art, Vilnius, Lithuania
Single Currency, curated by Danae Mossman and Zara Stanhope, Victoria College of The Arts Gallery
High Tide, curated by Simon Reese and Magda Kardaz, Zacheta National Gallery, Warsaw, Poland
2005
World Famous In New Zealand, curated by Stuart Bailey
Canberra Contemporary Art Space, Canberra
Remember New Zealand, curated by Tobias Berger, Artspace
2004
Remember New Zealand, curated by Tobias Berger, representing New Zealand / Aotearoa at The Sao Paulo Biennale, Sao Paulo
Prospect: Recent New Zealand Art, curated by Emma Bugden, Wellington City Gallery, (solo-project at The New Zealand Film Archive - Mediaplex)
The Biennale of Sydney 2004, curated by Isabel Carlos, representing New Zealand / Aotearoa
New New Zealand Art - curated by Ben Curnow, MOP Gallery, Sydney
The Styx - Styx River Valley Campaign Exhibition, curated by Raquel Ormela, touring various Australian galleries - Sydney, Hobart, Melbourne
2003
Curiosity Kills The Gap, curated by Tobias Berger, Artspace
Untitled (Group Show), Sue Crockford Gallery
Untitled (Group Show), Stark White Gallery
Put Out More Flags, Cuckoo @ Moving Image Centre
2002
Flying High – Room301/SWAB, curated by Dan Arps
Tomorrow People - Lord Mori gallery, Los Angeles, and The Physics Room, Christchurch, curated by Tessa Laird and Joyce Campbell
+64, Kunstlerhaus Bethanien, Berlin, curated by David Hatcher and Louise Garret
2001
Group Show, Sue Crockford Gallery
Pony Show, Rm401, curated by Natalie Robertson
Art Waikato National Contemporary Art Awards Exhibiition - Te Whare Taonga o Waikato / Museum of Art and History Waikato , curated by Jim Barr and Mary Barr
2000
Sister Spaces – Southern Exposure gallery, San Francisco, curated by IT Park (Taipei), The Physics Room (Chch), Ze Dos Bois (Lisbon)
Image/Text – Lopdel House Gallery, curated by Mirriam Harris
Rumble In The Bronx – temporary exhibition in Wizards Video Arcade, Christchurch, curated by Dan Arps
Wonderlands, curated by Gregory Burke, Govett-Brewster Gallery, New Plymouth
1999
Who Do I think I Am? curated by Jim Barr & Mary Barr, Artspace
Grunt Machine, curated by Gwyneth Porter and Simon Cuming, Physics Room, Christchurch, Dunedin Public Art Gallery and Adam Gallery, Wellington
Video Wall, curated by Kim Baswell, tenement Gallery, Melbourne
1998
The Oriental Room, curated by Jacob Faull, Auckland War Memorial Museum
Barrel Room, Trinity Hill Winery, Hawkes Bay, curated by Martin Poppelwell
Rapid, curated by Sean Kerr, Dunedin Public Art Gallery
A4, curated by Kylee D Newton & AD Schierning, Honeymoon Suite Gallery, Dunedin
Openite, curated by Clinton Williams, The Depot
1997
White Out, curated by William McAloon, Auckland City Art Gallery
Gold Watch, TESTSTRIP, curated by the TESTSTRIP board
Rapid, curated by Sean Kerr, Artspace
Ambient (Male) Identity, curated by Chris Chapman, Contemporary Art Centre of South Australia, Adelaide
Sharp & Shiny, Curated by John Hurrell, Govett-Brewster Gallery
House of Gabriella, curated by Kirsty Cameron, Fiat Lux Gallery
1996
Pilot Error, curated by George Hubbard, 23a Gallery
The Concrete Deal, The James Smith Carpark, Wellington
Drawing Quarters, ARTSPACE
The Crime Show, Opening of The Physics Room, Christchurch
1995
Everyday Pathomimesis, curated by Giovanni Intra, Canterbury University Gallery, Christchurch
Artists of Color, TESTSTRIP
An Evening, Opening of The Ambassador
1994
150 Ways of Loving, curated by Ann Shelton, Paul Booth & Kirsty Cameron ARTSPACE
1993
Opening Show, in collaboration with Merylyn Tweedie, Hamish McKay Gallery, Wellington
Gaining Interest, four artists at ARTSPACE, curated by Sophie Jerram
1992
Tripping With The Cubists, TESTSTRIP On Tour, Cubewell house, Wellington
Stable Artists - TESTSTRIP
Light Sensitive, curated by Bridget Sutherland & Stephen Zepke
ARTSPACE
1991
Like They Are Now, curated by Lesley Kaiser & John Barnett, Inner City L.E.D display
Selected Performance work
2009
Roma
2007
Minormorphosis
2006
Floor Piece, as part of 5,4,3,2,1 Auckland Artists Projects, curated by Andrew Clifford, Auckland City Art Gallery
The Fall, as part of Mostly Harmless, , curated by Charlotte Huddleston, performance series at Govett-Brewster Gallery
Steal This Smile! :), Singapore Biennale, curated by Fumio Nanjo, Roger McDonald, Sharmini Pereira, Eugene Tan, Singapore
2005
Creation Myth, Special Gallery
2004
Jump Up! / Get Down!, opening performance for Brick House House, Mori Gallery, Sydney
Redmans In The House, performance lecture given as part of the Public Programme accompanying the exhibition Concrete Horizons: Contemporary Art From China, curated by Sophie McIntyre, Adam Art Gallery, Victoria University, Wellington
2003
In The Styx, Styx River Valley, Tasmania, for The Styx - Styx River Valley Campaign Exhibition, a group show curated by Raquel Ormela, Mori Gallery, Sydney
Untitled, (No Show), opening performance for malone@artspace
Window, performance series over five month period, (Dawn Parade, Disclaimer, Cash Cowards, Queens Chain, Public Hanging) viewed from / hosted by Sue Crockford Gallery
2001
Opening Performance, UnArcade, La Gonda Arcade, K-Rd, in collaboration with Derek Gehring
Untitled (Gayrilla), Cuckoo Project and Splore Dance Party, in collaboration with Stephen Ball and Ani O’Neill
2000
DJ Battle, LazZZY SuzZZn VS. DJ Ali, (South Island ITF Champion 2000) for Rumble In The Bronx, temporary exhibition in Wizards Video Arcade, curated by Dan Arps
Endless Summer, Pacific Ocean, Ladies Bay, in collaboration with Daniel Malone, Pacific Ocean, San Francisco
Brickgame, Central City
1999
Play Misty For Me, Not These Days, (band with A.D. Schierning) Fiat Lux Gallery
1998
One or Several Wolves, The Depot
Plans of the Apes, Ramp Gallery, The Waikato Polytech, Hamilton
House of The Rising Sun, Not These Days, (band with A.D. Schierning) Fiat Lux Gallery
Final Fantasy, for Rapid, Dunedin Public Art Gallery
1997
Blow-Up, for White Out, curated by William McAloon, A.C.A.G
De-differentiated Def, C.A.C.S.A, Adelaide
Plans of the Apes, Side-On Gallery, Sydney
Just Yesterday, for Rapid, Artspace
Like a Virgin, for Relay (The Minutes), Artspace
Foul Weather, The Physics Room, Christchurch
Punch-line (Alcohol), TESTSTRIP
Double Or Nothing (Narcotics), TESTSTRIP
Turning Japanese (Cannibis), TESTSTRIP
Truth Drug (L.S.D), TESTSTRIP
1996
Untitled (Doing Lines) for Stamina, The Ambassador
Hungover, Waikato Museum of Art and History, Hamilton
Installation of Basic Instinct, Auckland City Art Gallery (New Gallery)
H2Go, Waterloo Quadrant, City
Telecom, Cocaine, Rainbow, Warrior, Moko, Swastika, ARTSPACE
The house that was chosen is unimportant, Pakuranga
Back to the Future, Fiat Lux Gallery and 51 Federal St, City
Dictation, Elam School of Fine Arts
1995
How not to use the American Flag, M.T.V. Lobby, Manhattan, N.Y.C
The (Re)Installation of Les Fleurs du Mal, Albert Park, City
1993
Der Voschelene (Amerika), Queens, N.Y.C
1992
Ignore me I'm a man, Elam School of Fine Arts
The Silence of Modern Art is Over-rated, George Fraser Gallery (ARTSPACE)
TRAVEL/LEVART, Taranaki Institute of Technology, New Plymouth
In Memorium of Colombus discovering America, for Now/See/Hear, ARTSPACE
Bend, Elam School of Fine Arts
There's a hole in my dichotomy, Elam School of Fine Arts
Someone Else's Idea, TESTSTRIP
Someone Else's Body, Gow Langsford Gallery, Sue Crockford Gallery, Auckland City Art Gallery, Fischer Gallery (now Te Tuhi)
1991
In Memorium (of Joseph Beuys?), collaboration with Martin Poppelwell, Auckland University
Bosnyk, Language School Galle y, Achilles House
Selected Film and Video and Sound Works
2004
Brick House House, in collaboration with Robert Lundon, House remix of Brickhouse by The Commodores, 1979, for use in the installation This Is Not A Trekka, Mori Gallery, Sydney, 5 minutes
How To Make A Splatter Painting (Starring Peter Jackson Pollock), single channel video, 12 minutes
a street kid named Desire, work in progress 1996-2004, third exhibited instalment contains soundtrack by Biu Cheong and digital effects and remixing by Fuyuko Akiyoshi, single channel video, final form 16mm, 90 minutes
2001
Somewhere Over The Rainbow, song performed as Not These Days (band with AD Schierning) in collaboration with Alie McPhearson and Rosy Parlane, for website/download exhibition at http://www.physicsroom.org.nz/webwork/4eva/
2000
Endless Summer, in collaboration with Daniel Malone (San Francisco, USA), two channel video, 40 minutes
1999
Rollercoaster, field recording produced as Not These Days (band with AD Schierning) for the CD Catalogue of the exhibition Rapid, curated by Sean Kerr at Artspace and Dunedin Public Art Gallery
1998
Jungle, song accompanying video recorded as Not These Days (band with AD Schierning) for the exhibition Grunt Machine, curated by Gwynneth Porter and Simon Cuming, The Physics Room, Christchurch, Dunedin Public Art Gallery and Adam Gallery, Wellington
Maoris Jump Ships, single channel video, 30 minutes
1997
Pen Olympics, single channel video, looped, 20 minutes
Olympic Torche, single channel video, looped, 20 minutes
kum of sum yung guy, in collaboration with Denise Kum, single channel video, looped,12 minutes
The Strike Church, single channel video, and performed text, 5 minutes
1996
Video To Bring About The Downfall of Western Civilisation, single channel video, 30 minutes
Near East, single channel video. Documentary, 10 minutes
1995
Or, Video Arcade, single channel video, 30 minutes
I'd lick a cassette but I wouldn't eat it
I'd taste a tape but I wouldn't finish it,
single channel video, 30 minutes
To Live and Die in L.A., in collaboration with Giovanni Intra, V.H.S, 30mins, shown at Hamish McKay Gallery as part of Intra’s Exhibition
1992
S.P.O.R.T., for Interdigitate, Aotea Centre, video wall work incorporating three video sources, direct video-game feed and live d.j. soundtrack
Lost Blind in Space (later called Epicene), in collaboration with Blanche Ready-made/Et Al, 16mm, 60mins
Selected Publication
Forthcoming 2005;
TEST/ST\RIP – Definitive documentation of TESTSTRIP Gallery 1992-97, full-colour publication with support of Creative New Zealand
2005
All Hail The Thief – catalogue text on Study For A Red Cross, Martin Poppelwell’s painting exhibited at the Hawkes Bay Museum, Napier and Anna Bibby Gallery, Auckland
Grenada A Garden - catalogue text on Erewhon, Daniel Du Berns' contribution to The Bed We Lie In - Artspaces' New Artists Show 2004
Gravity’s Rainbow - The survey exhibition Series Series, by Ralph Paine, Ramp Gallery, School of Visual Art, Waikato Institute of Technology, reviewed for Natural Selection
2004
In Situ - Biennale of Sydney 2004, post-script catalogue documenting site specific installations commissioned for the Biennale of Sydney 2004
Biennale of Sydney 2004 Catalogue – pagework and text in collaboration with Germaine Greer
Image – companion volume to Copy, a Teststrip Micrograph/Artspace publication produced for the HYPERLINK mailto:malone@artspace exhibition malone @ artspace
2003
Copy, a Teststrip Micrograph/Artspace publication produced for the HYPERLINK mailto:malone@artspace exhibition malone @ artspace
2001
Black Hole, - catalogue essay for the photographic exhibition Black-Eye, including work by Haru Sameshima, Darren Glass, and John Collie, Lopdell House Gallery
Revolutions Permitting - An interview/conversation with tagger RPM by Daniel Malone and Gwynneth Porter, Log Illustrated, Issue 13
The Revolution will not be Advertised – advertisment designed for the publications, Da Nile Is Not A River in Africa, and the TESTSTRIP Micrograph, Revolution, both written by Jonathan Bywater, Log Illustrated, Issue 13
information - artwork, design and advertisment design (Bananafish magazine, San Francisco) for CD compilation release by Imperial Records
2000
L’Est We Forget – Cover work, Log Illustrated, Issue 11
Birds Eye View - TESTSTRIP Micrograph, published on the occasion of A Girl In Every Port, an exhibition by Ann Shelton at Ivan Anthony Gallery
New Ages - page work in collaboration with Dylan Rainforth, Log Illustrated, Issue Ten
Art for Time Travel, page work/competition, sponsored by Jim & Mary Barr, Log Magazine, Issue Nine
1999
Special K, TESTSTRIP Micrograph, published on the occasion of Spacer, an exhibition by Denise Kum at Sue Crockford Gallery
Say It Out Loud/Sonic Euthanasia, page work/advertisement, Log Illustrated Issue Six
Wheku/Weku, artwork and design for 10” record release by Pit Viper
On Drugs/No Drugs, Log Illustrated Issue Five
1998
Fuck Tha Police, Entry for Giovanni Intra in catalogue of Chartwell Collection touring show.
evil did I dwellewd did I live, artwork and design for 7” record release by Pit Viper
Shelf Life, for catalogue to David Cleggs’ Mono at WMAH (Waikato Museum of Art and History
1997
Hes Got A Ticket To Ride, TESTSTRIP Micrograph for show by Saskia Leek & Simon Cuming at Fiat Lux Gallery
The Money or the Bag, Interview with Patterson Beckworth and Alex Bag, Log Illustrated Issue Six
Twin Cities - L.A. City of Quacks, with Giovanni Intra, TESTSTRIP Micrograph
The Envoy From Mirror City, TESTSTRIP Micrograph
1996
Asian Babe, Mid-West Magazine, page work in collaboration with Giovanni Intra
Video Reviews: New Releases from Michael Stevenson, Monica magazine : April
Rave New World, Monica magazine : June/July
Video Killed The Radio Star, Mid-West Magazine, on Terry Urbahn
1995
Vandalism, Being A Gnostical Unconscious, TESTSTRIP Micrograph
1992
The City at night, for Light Sensitive (Artspace), Stamp Magazine, Sept 1992
Selected Reviews / Articles / Catalogues
2001
Perfectly Pitched - Pavement, August – September 2001, Issue 48, Jon Bywater
Art Wins on A sticky Wicket, New Zealand Herald, 20 June, 2001
Prize will help fund exhibition, City Weekender, Hamilton, 18 June 2001
Christchurch Round-Up - Log Illustrated Issue 12, Lee Devenish
Wellington Round-Up - Log Illustrated Issue 12, Bryce Galloway
Malone, Like Magazine, Issue 13, Tessa Laird
2000
Da Nile Is Not A River In Africa – Unitec Monograph, written by Jon Bywater, designed by Ralph Paine
Triple Negative, Art & Text feature, written by Giovanni Intra,
Who Do I Think I am, Artspace catalogue, edited by Kelly Carmichael
Universe at EAF, Adelaide, review by Michael Newall, Art & Text, January
1999
Rapid – Artspace/Dundein Public Art Gallery catalogue, edited by Robert Leonard
Drugs on Drugs, Log Illustrated, Issue Six
Post-Orientalist Art – Denise Kum, Yuk King Tan & Daniel Malone, Richard Dale, Art Asia and Pacific, July Issue
Daniel Malone at The Experimental Art Foundation, S R Murthy, LOG Illustrated, Issue Seven
1998
Ready Mix, edited by Mary Barr, catalogue for The Concrete Deal
Stationary Walkabout, by Robyn M. Kahn, LOG Illustrated Issue Four
Revolution, Jonathon Bywater, TESTSTRIP Micrograph
The East As A Career, Gwynneth Porter, LOG Illustrated Issue Three
1997
Abstract Identity, by Chris Chapman, BROADsheet (Australia) Vol 26; 1
Abstract (Male) Identity, by Chris Chapman, Abstract (Male) Identity Catalogue (Australia)
Toxic Empathy, by Matthew Hyland, Monica Magazine : Summer
1996
Criminal Lore, by Tessa Liard, Monica Magazine : Oct/Nov
1993
Suffer, catalogue published on the occasion of TESTSTRIP’s Suffer show on tour to Hamish McKay Gallery, Wellington
1991
Art is Easy, review of Modern Show, with Martin Poppelwell
by Giovanni Intra, Stamp Magazine, November
